Details of the Human Figure: c) Hands begin this lesson by taking a step back. Remember this character? 
We had not defined its extremities, in summary, were marked with circles.
hand, along the face, makes a living expression of an action. It 'an anatomical element which has a complicated structure, even if that of a comic strip is not characterized in detail. hand positions that can take hundreds and each expresses a particular meaning: a) a ' IDEA
b) a SIGN
c) a MOVEMENT
d) or a simple GESTURE (the gesture to indicate something or to emphasize speech)
Draw the hand is a difficult and demanding: for this reason it is necessary to practice a long time. In comic strip but there is a curious peculiarity: the hand did not on five fingers, but is four. You may wonder where did this oddity. Unbelievable but true, the Disney Studios during the 30s. The animators, to expedite their work, they decided to save time and avoid d isegnare a finger to man o. They came even to the protagonists to put on the boxing gloves yellow not depict the folds of their hands. made clear, we move now to the practice :
1. once again we begin by drawing a shape oval, next to add a cylinder (the future wrist) and stored giniamo now that the character belongs to which the hand of the knobs have worn
2. thumb and has a shape more pronounced, especially with regard to its size compared to the other fingers
3. the latter, structurally reminiscent of the cylinder: half of those are quite similar to each other 
4. the little finger, not to make sense of monotony and immobility, is smaller and in a different position. In this way the hand comes to life.
To help you better understand the construction of the hand, the pattern shown for the first was deliberately in a static position. Now, we draw some hands to build in different positions. It is up to you and your imagination to try to understand what attitude related, as in the case of this first example 
In this second example you will note, as surely as it always starts from the basic structure and then devise different expressions of back and fingers 
are then fingers to give nature a hand.
From these es wicked should therefore be clear from the same building as the structure of the hand brings all the others. Download Tutorial "The Hands" 
Details of the Human Figure: b) The Corps If you have managed to follow the implementation of the head, will be much easier to understand how to build the body of a character.
The correct construction of a character part from its skeleton, a framework that allows us to decide or adjust the appearance and to choose the poses and attitudes without wasting time and effort.
E ' the "dummy" , of \u200b\u200bwhich I made a suggestion when I spoke of the "Structure of the Scheme."
What are heroes, antagonists, or mere onlookers, each author comic would like all his characters were memorable, interesting and full of special effect.
But to draw them ... so we must first reduce them to the bone!
The best way to set the human figure or that of an animal or any other type of anthropomorphic character and above all, to effectively manage it in action is indeed to transform it into a rudimentary skeleton, a dummy made up of forms elementary lines and geometric shapes.
E 'should therefore always start from the basic shapes (eg sphere, cube, triangle), especially circular, because the anatomy is characterized by curved lines and no sharp edges.
build the body of a standing figure:
1) the bust of this character has a shape that reminds us of a pear 
2) the arts are a deformation of the cylinder, naturally shaped to enable their flexibility
3) is not yet within the substance of the realization of the hands and feet which I will in the next lessons. For the moment we will content ourselves to state with ovoid shapes
As you can see, the character was put in place pose a house: the movement, in fact, is a topic which I'll discuss later, because it requires an acquired ability to draw.
Another example we take it from a famous character created by cartoonist Charles Peroni
1) build our character, starting from a skeleton of principle, ie a pattern of base-lines
2 ) define the structure of our character and then we build the mass of the body around it, through lines and geometric shapes ...
3) ... Model face and limbs
4) ... and finally, the particulars giving importance to the design
now realize the same character by placing it in 4 different positions, as if watching him girandogli around, keeping an eye on the proportions
And now try to draw different expressions:
We had not defined its extremities, in summary, were marked with circles. 
