In the last lesson we have learned to draw the head-type looking at it from different angles.
's First eyes, who more than anyone else give a clear impression of the mood of the character: in fact, the mobility of the eye lies in its narrow or expand (which may be a characteristic of some peculiar expressions like terror, fear or sadness) and action combined with that fulfills the eyebrows, which almost never move without the involvement of the eyes. Their movement, for example, can indicate very different passions in itself: it is no wonder that rose to express shock, drop and frowned when there is anger, or simply concentration.
Another element is very mobile mouth, which can take an almost infinite range of shapes, thanks to the many muscles that cause facial movements: the mouth can be wide open, twisted, enlarged, close etc. etc.
In the last nose, along with expression lines that are of paramount importance. The first moves in terms of both mouth movements, both in its own way, although in the latter case it is very limited movement that shifts its sides, those just above the nostrils. The latter however, are characteristic of expressions more "pull" or passionate: an expression has more wrinkles, more state of mind (in general) is strong or heard. The lines in each case can be placed only in some areas of the face.
The various facial expressions derived from the combined motions (or alternate) of these elements: they can both be very exaggerated expressions and expressions "simple" resulting from movements restricted and controlled. The terms base that can be highlighted about the face are infinite, given the mobility of the foregoing and the endless possibilities of combination between them.
Here below some examples of expressions -base: to facilitate understanding of facial muscle movements for each example will be joined by the man's face standard.
EXPRESSION DOES NOT MATTER (fig. right)
As you can see, have been accentuated aspects "neutral" face, eliminating anything that might suggest to any expression, as dimples on the sides of the mouth and the tilt of the eyebrows.
contrast, when the figure takes the term "hateful", facial features are characterized more: the mouth is arched eyebrows down and leaning into the eyes converge, resulting in the formation of various expression lines at the beginning of the nose.
speech against
Same goes for the expression of contrition, which maintains the same position of the mouth, although a different provision of the eyebrows (inverse, in the same relationship between the mixed feelings-hatred contrition) and a different eye position.
happy expression
Here we have the same position of the eyebrows smiling expression, combined with the most wide-open eyes and mouth half open with the lips partially relaxed.