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Monday, June 15, 2009

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schema structure

To familiarize yourself with our plan and learn to use it properly, let us pause to consider its characteristics.

The figure below is a geometric sketch of the skeleton.

It consists of four elements:

1. HEAD ;
2. CHEST ;
3. BASIN ;
4. ARTS .

The first three are related to the vertebral column, while the others join in the upper chest and down to the pelvis. Remember that your pelvis is the structure of the junction between the trunk and legs, and is therefore the crux of the general mobility. The pubis divides in half the total height.

The circle indicating the size of the skull gives us is reproduced here and there from the vertical, the width of the chest and pelvis, and this of course concerns the frontal view, because the skull profile takes the form of an ellipse and the spine is shaped like them.

It 'good to spend time and patience in these early examples, trial and error to freehand sketch without getting tired, and it is well to insist despite initial difficulties and mistakes, to gain a certain nonchalance that will facilitate the objective next job.

Now we come to female nude, which differs in some rough than men.
The average height of women is usually less than that of man, but we do not we will remember this for you and we will also use the pattern we already know.

Anatomically, if we compare with male pattern among women, she has the chest more petite and slender and, therefore, narrower shoulders, wider is instead the basin, with the more recognized and Attack of the femora more prominent. Overall, formal, determined by muscles more smoothly connected, smooth lines that predominates is the main feature of feminine beauty.

E 'must be said that the bones, One by one, are rigid elements in the adult are not subject to modification, while the whole, that is the skeleton, has an extraordinary mobility, due to joints and muscles.

It 's interesting to note that the height of a human body and the relationship between the proportion of its parts, are determined by the skeleton, the widths and volumes depend on the surface, however, by the muscular system and also (in sometimes overwhelmingly) by adipose tissue.

between the height of a man to 25 years and that's when it will be 50 or 55, there is virtually no difference, but if its average circumference was young, for example, an index of 90, nine times out of ten this index will increase with time up to 135, and this is due to progressive layers of fat.

To draw the human figure, you can serve as a dummy: is normally made of wood and is in the essential mobility of the human body. They are used by many artists, because it can replace the sketches in the live model, both the proportions for changes.







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The White Rose

The city was founded a new political movement


founders - three men who will go down in history

Prof. Giuseppe Baldini, Filippo Hence, Goofy Marino







President



A member fondatorre






Mimmo Burgio a member



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The Human Body

In previous articles we have said that before coming to the creation of a cartoon character, you must know how to properly draw the human body: only from this basis in fact, you can look after its own style.

The research must be a continuous experience, only continuing to draw more and more you can refine and deliver results that not even think we can achieve. We must have perseverance and confidence!

Everyone knows that being able to draw the human figure means being able to draw everything: the truth of this concept is not proof is needed, because it is obvious that the greater or lesser difficulty of any representation of a subject, is related to its greater or lesser complexity of structure. And the structure of the human body is the most complex and varied that it exists.

Speaking of the composition of basic shapes, we made a quick reference to the internal structure of simple shapes, namely, those of elementary geometry: the mention of it was just meant to point out the need for those designs, not to stop at single surface of the body, but to arrive at their core, to penetrate as far as possible the structure.

It 'clear that if the discussion is valid for a cylinder or maybe an apple, the more it will be for the human body, however you look at it. Even those who draw the nude model in the presence of living or using sketches made from life, must necessarily possess a minimum knowledge of human anatomy, else always ends up falling into mistakes.

The representation of an object requires, in short, precise knowledge of the object to be, and this also applies if you want to simplify, stylize or shape. Precisely why we need an excellent knowledge of the human body, its proportions and sizes. E ' very important to get used to drawing the human figure according to an ideal model "standard" .

Below is a picture of the human body divided into 8 equal parts, each of which is equal to the height of the head measured from chin to crown of the skull.

The head is then to form the basis it is important to have the right proportions between it and the body.
A good initial exercise is to copy the fugura reported as such, drawing the first rows of the schema by hand.

In practice, it goes like this: a long drawn vertically, is shown with a dash up and down a total height of the election, is split in half by eye, are divided into two halves obtained and the operation is repeated a third time, and finally to divide into eighths precise enough. The same is done horizontally bringing the total height and its subdivisions, as in a well-proportioned body, the measure to extend open arms is equal to the height.

The figure below clarifies the subdivision outlined above: